![Cover illustration by Benedick T. Bana Cover illustration by Benedick T. Bana](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3IZrd5aCL0Rked9SQ4lY8IfcFh5TqftF1eIZCFBWEhy4m21zbbKQ5af42wtYpRNXUUtZhpF89xOCGRDSbyiVuzfBoFj2gBVJtfKLQuuDRXz0YoNaFNWECvvT_NJshAlkmMe2qmXttokA/s200/2940159080486_p0_v1_s600x595%255B1%255D.jpg)
★★☆☆☆ Not Recommended
(Near-Future Horror) In 2092, London is a grim place. We follow the story of a girl from Scotland who meets a local boy, but we follow through the eyes of unwholesome watchers. (2,926 words; Time: 09m)
"We Are New(s)," by Bentley A. Reese [bio] (edited by Jason Sizemore), appeared in Apex Magazine issue 106, published on March 6, 2018.
Mini-Review (click to view--possible spoilers)
Pro: The whole thing seems to be a metaphor for how fake news hurts real people.
Con: There isn’t very much to it besides that message, and the story takes way too long to get to the point.
Other Reviews: Search Web, Browse Review Sites (Issue 106)
Bentley A. Reese Info: Interviews, Websites, ISFDB, FreeSFOnline
Follow RSR on Twitter, Facebook, RSS, or E-mail.
Con: There isn’t very much to it besides that message, and the story takes way too long to get to the point.
Other Reviews: Search Web, Browse Review Sites (Issue 106)
Bentley A. Reese Info: Interviews, Websites, ISFDB, FreeSFOnline
Follow RSR on Twitter, Facebook, RSS, or E-mail.
I definitely did not get "fake news" out of this story at all. I think the whole point of the story was that the news happening was very real. Engineered, but nonetheless real. It seems to be a story more focused on human fascination with tragedy and how that fascination can create tragedy to feed itself.
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