★★★★☆ Recommended
(High Fantasy; Birdverse) Raised by her grandmothers, Aviya thinks about her future, and thinks about trying to find the source of a magical scrap of "cloth of the wind." (14,023 words; Time: 46m)
Recommended By: π₁Nebula+3 π₂SBerman.L+1 πRSR+1 (Q&A)
"Grandmother-nai-Leylit's Cloth of Winds," by Rose Lemberg [bio] (edited by Scott H. Andrews), appeared in Beneath Ceaseless Skies issue 175, published on June 11, 2015.
Mini-Review (click to view--possible spoilers)
Review: 2015.168 (A Word for Authors)
Pro: The story showcases some very rich worldbuilding. The different cultures, the system of magic, even the languages all seem very real. The plot has multiple threads, since each character has a different objective. Aviya wants to find where the cloth came from because she imagines the makers can help her brother. Grandmother-nai-Tammah wants to become a man. Gitit wants Aviya and her to be a couple. And whatever Kimi wants, it's clear the whole story moves towards his destiny.
The gender issues are complex and interesting. Kimi is a biological boy whose culture forces him to be a girl. Grandmother-nai-Tammah is more familiar: a man in a woman's body.
At the end, everyone has what they wanted, or needed, but with a catch or a cost. Elder-nai-Tammah is a man, but has no idea how to be a man. Kimi has acquired a "deepname" but is still almost mute. Gitit and Aviya are a couple, but they're so unconventional they'll have troubles in the future.
Fittingly for a story about cloth, every plot thread is neatly tied off at the end.
Con: Forcing a little boy to live as a girl might work, but unless they castrated him (which it seems clear they did not), this is bound to fail when he reaches puberty. Yet no one ever worries about it.
The story doesn't manage to produce strong feelings about the characters, one way or the other.
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Rose Lemberg Info: Interviews, Websites, ISFDB, FreeSFOnline
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Pro: The story showcases some very rich worldbuilding. The different cultures, the system of magic, even the languages all seem very real. The plot has multiple threads, since each character has a different objective. Aviya wants to find where the cloth came from because she imagines the makers can help her brother. Grandmother-nai-Tammah wants to become a man. Gitit wants Aviya and her to be a couple. And whatever Kimi wants, it's clear the whole story moves towards his destiny.
The gender issues are complex and interesting. Kimi is a biological boy whose culture forces him to be a girl. Grandmother-nai-Tammah is more familiar: a man in a woman's body.
At the end, everyone has what they wanted, or needed, but with a catch or a cost. Elder-nai-Tammah is a man, but has no idea how to be a man. Kimi has acquired a "deepname" but is still almost mute. Gitit and Aviya are a couple, but they're so unconventional they'll have troubles in the future.
Fittingly for a story about cloth, every plot thread is neatly tied off at the end.
Con: Forcing a little boy to live as a girl might work, but unless they castrated him (which it seems clear they did not), this is bound to fail when he reaches puberty. Yet no one ever worries about it.
The story doesn't manage to produce strong feelings about the characters, one way or the other.
Other Reviews: Search Web
Rose Lemberg Info: Interviews, Websites, ISFDB, FreeSFOnline
Follow RSR on Twitter, Facebook, RSS, or E-mail.
Here's a link to an interesting discussion of this story.
ReplyDeletehttp://file770.com/?p=27644&cpage=2#comment-402709
And here are the author's notes on the trans themes in her story.
ReplyDeletehttp://roselemberg.net/?p=1479